



1983, Man and Mirror, Lithograph
Please visit Ian’s page on Saatchi Gallery to view 20 of his images plus biography. Many of these are considered some of his finest work.

1985, Man Holding Picture, Acrylic on canvas, 50cm x 50cm
The owner of this painting who bought it in 1986 has contacted the website with details of the painting that were previosuly unknown including the dimensions. The beauty gallery and archive has been updated with these new details.
In addition, the image was chosen by Art Quotes fine art directory as an avatar for the website listing.

1984, Figure at a Window, Acrylic on canvas
Ian’s “Figure at a Window” will appear on Richard Burgin’s new novel entitled “Rivers Last Longer”.

1989 Les Musiciens des Rues by Yvonne Alexieff
Please visit Yvonne Alexieff’s slideshow whereby Yvonne has taken the above image she did of Ian 20 years ago and linked some of her current work involving the cirucus with it.
Please visit L’univers circassien d’Yvonne Alexieff
Appoximately 90 new images of Ian’s early work dated from 1973 to 1978 will be added to the archive on November 11th. This will coinicide with the website being launched one year and what would have been Ian’s 50th birthday. Below are a couple of images of his early work.



We are pleased to announce that Ian Darragh - paintings, drawings and prints was added to the Art-Guide, a collection of high quality art history internet resources compiled by Heidelberg University.
See: Ian’s listing at Art-Guide
Wotartist has given Ian the following review plus a gallery of Ian’s images can now be found on the Wotartist website.
By Wotartist Admin - 11 September 2009
A master of both printmaking and painting, Darragh used oils and acrylics with equal felicity. A must see.
Ian was added to Who’s Who in Irish Art located within the Irish Art Encyclopedia early this month. Below is a partial review written by Neil Collins - Editor of the Irish Art Encyclopedia. Please visit this site to read the entire mini-review and biography of Ian.
Ian Darragh (1959-2008)
There is a haunting yet monumental quality about the art of this man. Even his most straightforward pictures have a timeless complexity. His women have a Renaissance stillness about them, but with a modern twist: a sort of mysterious edginess. In a way, he does for portraiture what Giorgio de Chirico does for townscapes - he makes us aware of “something else.” Many of Darragh’s male portraits have a similar Renaissance aura about them, although both the examples shown here are strictly 20th century: shades of Raymond Chandler in Man Speaking on the Telephone, shades of Edward Hopper in Figure at a Window. In any event, a mastery of narrative is evident. Look closely at the mouth of L’Espanogla and see the anger and resignation of a proud woman. Look into the eyes of Man Speaking on the Telephone - have you ever seen a man so torn? These are complex works, magnificently rendered and deeply conceived. What a tragedy for art that Darragh’s prime was restricted to the decade of his twenties, and that illness snuffed out any chance of a come-back.
This is a student self-portrait project on a contemporary artist that Alexandra Muir, 12 years old from Sydney, Australia did on one of Ian’s self-portraits.

CONTEMPORARY STYLE SELF- PORTRAIT
By Alexandra Muir
‘Self-Portrait 07′
Artist: Ian Darragh
Date: 1986
Size: 30cm x 25cm
STRUCTURAL FRAME
In ‘Self-Portrait 07′, I see a solemn man wearing a dark red shirt. He has fair skin and dark eyes. He has short, brown hair on his head and has pale lips. He is in front of a blue background, which is dark at the top of the picture and light near the bottom. The material used for ‘Self-Portrait 07′ is Acrylic on canvas. The composition has been organised very simply, with the artwork starting at Ian Darragh’s shoulders and ending a bit above the top of his head. He is looking to the right a little, although his head is directly facing you.
CULTURAL FRAME
This self- portrait painted by Ian Darragh was created in 1986 in London; he had a studio at the Diorama Arts Centre. In that year, 1986, IBM unveiled the first laptop computer and Challenger Space Shuttle exploded and killed seven astronauts. Ian Darragh was from Ireland and was male. His religion is unknown to me.
SUBJECTIVE FRAME
I really like ‘Self Portrait 07′, by Ian Darragh and I think it shows a lot of Darragh’s painting style. I think it shows a lot of expression and it is very simple. I like the clear outline of his head and shoulders and I like how the background is light at the bottom and gets darker. It makes me feel sad because of the powerful expression on his face. I think when painting ‘Self Portrait 07′ in 1986, Darragh probably felt happy, as there was a cover and feature article about his work in ‘Art Line International Art News’ magazine, and he had lots of exhibitions in Europe and England in that year.